The watermark in the lower right corner of the image will not appear on the final print.
Monochrome Close Up of Grasses Minimalist Nature Photography Print Metal Print
by Severija Kirilovaite
$81.00
Product Details
Monochrome Close Up of Grasses Minimalist Nature Photography Print metal print by Severija Kirilovaite. Bring your artwork to life with the stylish lines and added depth of a metal print. Your image gets printed directly onto a sheet of 1/16" thick aluminum. The aluminum sheet is offset from the wall by a 3/4" thick wooden frame which is attached to the back. The high gloss of the aluminum sheet complements the rich colors of any image to produce stunning results.
Design Details
This minimalist black-and-white photography print features a serene close-up of thick grasses or reeds, creating an abstract, textural background.... more
Ships Within
3 - 4 business days
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Artist's Description
This minimalist black-and-white photography print features a serene close-up of thick grasses or reeds, creating an abstract, textural background. The earthy tones of grey, brown, and neutral hues evoke calm and balance, making it an ideal choice for nature-inspired interior decor. The absence of water shifts focus to the natural patterns of the reeds, offering a rustic and tranquil aesthetic. Perfect for modern or rustic spaces, this professional nature print blends subtle textures and muted shades for an elegant, understated touch. Choose your preferred framing style to complement your space.
About Severija Kirilovaite
Biography "You don't just take a Photograph,you make it. The Landscape is a character that is always changing"--Ansel Adams My Photography story I became interested in photography from childhood, when my father would take pictures with a film camera, where you had to set the aperture and exposure yourself to capture a frame in natural light. Those were wonderful moments. When we went into the forest with my family, we would play there while my father photographed every moment. It’s so enjoyable to see those times now, especially those black-and-white photos. When we returned home, we would develop the photos ourselves, hiding in the kitchen from the light, only in red light. We would pull out the secondary apparatus that exposed the...
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